In the Studio this week Carol Fagan In the Studio this week Carol Fagan

Back to Working on the Project - the Maori Calender

I am continuing in a woven theme using foraged botanicals for my work. The project is to parallel Celtic and Maori cultures and one of the pairs of panels focuses on parts of the year that have importance - like the winter solstice (Matariki/Yule. I have already partially completed the Celtic calendar wheel and after I started this weaving I thought it might be a bit different to utilise this for the Maori on.

At the moment it looks a bit like and American Indian emblem but by the time I get it partitioned in to the parts of the year with a Maori symbol in the centre and documentation around the outside I am sure it will come together. I will use pseudo leather to section the parts of the year and am still contemplating on the emblem for the centre.

The weaving has been done with a mixture of raffia, convolvulus roots and convolvulus stalks and white cotton. The feathers I have added around the outside are the same feathers I have used to make th emini korowai for the weaving panel.

I continue to be immersed in the process of replicating what it must have been like for foregoing artists/weavers, experimenting and learning to utilise the materials at hand to create mainly utilitarian pieces where I have the luxury of taking these more into the artistic realm.

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What is my current Textile Focus

My interest in textile art is wide and varied. My focus at the moment is on completing panels for my scholarship project Parallels in Maori and Celtic customs and art. I am currently working on a Tromp L’oeil piece that represents the Winter solstice coming through a gap in the hills that was important to both cultures in mapping their seasonal world. the centre piece is hand embroidered and now I am trying to complete the effect of adding small pieces fabrics to create the effect I am looking for